Creator

This lesson goes over what you will be learning in the Intro to After Effects module and introduces Adobe After Effects as a powerful compositing and animation tool used to combine visuals, create effects, and build 2.5D animated projects. It also explains how students will use After Effects to animate characters, move graphics through 3D space, format projects for different platforms, and build a practical animation pipeline through repetition and experimentation.

This lesson introduces keyframes as the main way to create movement and change over time in After Effects. Students learn how different keyframe types—linear, bezier, easy ease, and hold—affect motion, timing, and interpolation so their animations feel more polished and believable.

This lesson walks students through the After Effects interface, showing how the main panels, workspaces, menus, and preferences are organized. It also helps beginners get comfortable with important settings like auto-save, memory, cache, previews, labels, and performance so they can work faster and avoid common workflow issues later.

This lesson walks students through the fundamentals of working with text in After Effects, including creating text layers, choosing fonts, adjusting color, spacing, stroke, alignment, and paragraph settings. It also introduces a few practical text workflow tips, like installing fonts, converting Photoshop text into editable After Effects text, and using the Character and Paragraph panels more confidently.

This lesson shows students how to use the Project Panel as the main place for importing, organizing, and managing media in After Effects. It also covers key project settings, file types, footage interpretation, proxies, and workflow tools that help keep bigger animation projects organized and running smoothly.

This lesson introduces cameras in After Effects and shows how they can add cinematography, depth, focus, and movement through 3D space. Students learn the basics of one-node and two-node cameras, depth of field, camera tools, motion blur, auto-orient, and simple expression-based camera movement.

This lesson explains how compositions work as the main workspace where students combine media, set frame size, duration, frame rate, resolution, and 3D rendering options. It also walks through the Composition Panel tools so students can navigate, preview, align, crop, compare, and manage their scenes more confidently.

This lesson introduces lights and material settings in After Effects, showing how 3D layers can receive light, cast shadows, and take on different surface qualities like flat, shiny, or metallic. It also explains how to use these tools tastefully so they add depth and mood without overcomplicating the project or slowing down render times.

This lesson gives students a deeper look at the Timeline Panel, where they’ll organize layers, control visibility, blending, motion blur, parenting, playback, and timing. It also introduces different layer types and the Flowchart view, helping students understand how to keep complex After Effects projects clean, flexible, and easier to manage.

This lesson introduces the Paint tools in After Effects, including the Brush, Eraser, Clone Stamp, and Motion Sketch tools. Students learn how to create animated brush strokes, erase or reveal parts of a layer, clone visual details, and record hand-drawn cursor movement to add a more organic feel to their animations.

This lesson gives students a practical tour of the After Effects toolbar, covering the main tools they’ll use to select, move, zoom, rotate, draw shapes, create masks, add text, and work in 3D space. It also introduces more advanced tools like Roto Brush, Puppet Pins, painting, cloning, and erasing so students know what’s available as they build their workflow.

This lesson explains how audio fits into animation, from scoring and syncing dialogue to lip-sync and sound design. Students learn how to import audio, read waveforms, adjust volume levels, balance a mix, and use basic audio effects inside After Effects.

This lesson digs deeper into shapes, masks, and paths, showing how they can be used to create visuals, hide or reveal parts of an image, animate custom forms, and control complex designs. It also introduces practical masking and rotoscoping techniques, plus useful path tools like null controllers that make animation more flexible and easier to manage.

This lesson introduces expressions and scripts as powerful ways to automate repetitive tasks, link properties, create loops, add random motion, and build more efficient After Effects projects. Students learn basic expressions like wiggle, time, and loop, while also getting a first look at scripts, presets, and third-party tools that can speed up their workflow.

This lesson gives students a broad tour of After Effects effects and adjustment layers, showing how different categories like blur, color correction, distortion, generate, matte, stylize, and time effects can change or enhance a project. It’s meant to be used like a reference guide, helping students learn the most useful effects first and experiment with others as their workflow grows.

This lesson walks students through the rendering process in After Effects, including previews, pre-renders, the Render Queue, output settings, codecs, image sequences, proxies, and Adobe Media Encoder. It helps demystify how to export projects efficiently while choosing the right format for works-in-progress, final videos, or professional delivery.

In this lesson, you'll learn the core transform properties that drive animation in After Effects, including anchor point, position, scale, rotation, and opacity. You'll also explore how these controls work in 3D space, how to use tools like the Pan Behind tool and Pick Whip, and how null objects can be used to control and organize more complex animations.

This final lesson shows students how to clean up and organize After Effects projects so files stay linked, easy to manage, and ready to hand off to clients, studios, or other artists. It also wraps up the Intro to After Effects module by reinforcing the importance of structure, problem-solving, and using these lessons as a reference library moving forward.

This lesson introduces the 2D Animation Fundamentals module, where students start applying the After Effects tools they learned to create real animated work. It gives a quick preview of upcoming skills like graph editor animation, text and logo animation, shapes, masks, puppet tools, expressions, 2.5D camera moves, and a final looping portfolio project.

This lesson teaches students how to create smooth and engaging transitions between scenes, objects, and ideas using techniques like snapping, swiping, morphing, fragmenting, overlapping, and distraction. Students then apply these methods by animating transitions between icon designs, helping them build more stylish and professional motion graphics sequences.

This lesson introduces the Graph Editor as one of the most important tools for controlling timing, weight, speed, and personality in After Effects animation. Students then apply those skills by creating a looping vignette animation, adjusting f-curves, styling the motion, and exporting the final piece as a GIF.

This lesson teaches students the fundamentals of kinetic typography, from using text animators, range selectors, 3D text, blur, fill, stroke, spacing, and expression-based motion to create more dynamic type animations. In Part II, students build on those tools with professional techniques like mattes, melting text, liquid reveals, brush-style strokes, and layered lettering animations for portfolio-ready work.

This lesson teaches students how to use shape objects to create more polished 2D animations, starting with a bouncing ball exercise that builds motion, rotation, weight, squash and stretch, character, and camera shake. It also covers more advanced shape workflows, including creating complex designs, importing graphics from Photoshop and Illustrator, converting vectors into editable After Effects shapes, and animating objects like a record player, headphones, and vintage audio devices.

This lesson expands on expressions by showing students how to automate more complex animation behaviors, link properties, create reusable controls, and save time with expression presets or tools like KBar and Mute. Students explore practical expressions for wiggle, loops, random motion, counters, gravity, elastic movement, markers, switches, and controllers so they can build smarter, more flexible After Effects projects.

This lesson teaches students how to use shape modifiers like Merge Paths, Offset Paths, Repeater, Trim Paths, Wiggle Paths, and more to create dynamic, flexible animations. Students then apply those tools through practical projects like animated channel scenes and an airline safety card, giving them more creative ways to bring simple shapes and paths to life.

This lesson explores the creative thinking behind logo animation by studying a wide range of professional examples, from simple and elegant reveals to complex, clever, character-based, and motion-driven designs. Students then apply these ideas by choosing two provided logos and animating each using one of the techniques discussed in the lesson.

This lesson shows students how simple paths and lines can be used to communicate objects, ideas, and even complex concepts through shape, motion, and visual metaphor. Students then practice creating elemental animations and more abstract concept-based animations using line work, color, timing, and movement.

This lesson introduces a wide range of After Effects tools, scripts, plugins, and extensions that can speed up animation workflows, improve organization, simplify rigging, enhance path animation, and automate repetitive tasks. It also explains which tools are must-haves versus nice-to-haves, while encouraging students to explore the resources that best fit their own workflow.

This lesson introduces several ways to stylize After Effects animations so they feel more unique, handmade, and visually interesting. Students explore techniques like shimmy, noise, texture, scribble, fuzzy edges, and fluid effects, then apply them through a series of creative practice assignments.

This lesson guides students through the final portfolio project for the 2D Animation Fundamentals module: creating a polished looping animation that shows off their skills in motion, style, transitions, typography, logos, paths, and effects. It also walks through different ways to approach the project, including using stock assets, referencing inspiration responsibly, or designing original graphics from scratch.

This lesson introduces the 2.5D Character Animation module, where students will learn how to rig and animate characters inside After Effects. It previews upcoming topics like professional animation analysis, rigging tools, character controls, walk and run cycles, faux 3D techniques, facial animation, and a final character-based portfolio project.

This lesson teaches students how to create animal walk, run, and trot cycles by breaking quadruped movement into clear key poses, timing, interpolation, cleanup, and secondary action. Students then practice applying these workflows to provided animal rigs while learning how to use reference footage to understand different creature movements.

This lesson teaches students how the 12 animation principles apply specifically to 2.5D character animation, helping characters feel believable, expressive, and full of weight. Students then practice principles like squash and stretch, anticipation, staging, arcs, timing, secondary action, exaggeration, and appeal using a simple provided character rig.

This lesson teaches students how to create the illusion of 3D movement using 2D artwork, starting with simple objects like bottles, paper airplanes, and rockets before moving into character faces. Students then learn how tools like Joysticks n’ Sliders can make faux 3D face rigs easier to control, helping characters look around, blink, emote, and feel more dimensional.

This lesson introduces character rigging systems in After Effects, showing how tools like parenting, the Puppet Tool, DUIK, RubberHose, and DeeKay Tool can make complex character animation much easier to control. Students learn the strengths of each rigging workflow and practice building functional character rigs they can use in future animation projects.

This lesson teaches students how facial expressions work and how simple changes to eyebrows, eyes, mouth shapes, and body language can communicate clear emotions. Students then build on their faux 3D face rigging skills by creating facial controls and animating the eight major expressions on the provided Hugo character rig.

This lesson breaks down the full process of creating a believable walk cycle, from contact poses and transfer poses to timing, interpolation, cleanup, secondary action, 2.5D details, and forward translation. Students then practice building their own walk cycle using the provided rig and key pose references, with optional Duik rig challenges for extra practice.

This lesson wraps up the 2.5D Character Animation module by showing students how to connect face controls into a full-body character rig for easier animation. Students then create a 6–10 second portfolio piece featuring a walk or run, a clear emotional change, facial expressions, and simple story-driven action.

This lesson builds on walk cycles by teaching students how to create a believable run cycle using contact, transfer, kickoff, and up poses. Students learn how to adjust timing, curves, cleanup, secondary action, 2.5D details, and translation so their character feels fast, powerful, and full of momentum.

This lesson introduces the 2.5D Pipeline module, where students learn how to take an animation project from idea to final export using a professional production workflow. It previews each stage of the process, including briefs, scripts, storyboards, styleframes, sound, asset creation, character setup, animation, post-production, and final delivery.

This lesson teaches students how to turn their storyboard and styleframes into organized graphic assets that are ready for animation. It covers planning what needs to be built, designing assets in Photoshop or Illustrator, organizing scenes and layers, and preparing everything with the animation process in mind.

This lesson teaches students how to read and break down a creative brief so they can clearly understand deliverables, style references, timelines, output specs, and missing information before starting production. Students then choose a provided brief, extract the key details with a checklist, and set up an organized project structure for the rest of the pipeline.

This lesson teaches students how to create, prep, and organize character assets for 2.5D animation projects. It covers planning character needs, setting up body parts for rigging, using Photoshop or Illustrator, importing characters into After Effects, and deciding whether to design, reference, purchase, or hire out character artwork.

This lesson teaches students how to turn a creative brief into a clear 30 or 60-second animation script using structure, word count, and concise messaging. It walks through hooks, perspective shifts, pitches, proof, summaries, and calls-to-action so students can write scripts that are short, engaging, and animation-friendly.

This lesson guides students through the main animation phase of the 2.5D pipeline, where all previous skills—motion, transitions, typography, rigging, faux 3D, and facial animation—come together in a longer-form project. It also shows how to study real project examples, keep scenes moving, set up the After Effects template, import assets and audio, time everything to the voiceover, and begin building the full animated sequence.

This lesson teaches students how to turn their script into a clear storyboard that acts as the blueprint for the entire animation. It walks through using a storyboard template, adding voiceover, sketching thumbnails, describing action, cleaning up panels, and exporting the finished boards as a PDF.

This lesson walks students through the post-production process for finishing their 2.5D animation, including post-effects, pre-rendering, sound design, quality control, rendering, and export. It shows how to polish the final piece, catch mistakes, mix audio, choose the right format, and prepare the animation for delivery or portfolio use.

This lesson teaches students how to create styleframes that prove the visual look of an animation before full production begins. It covers choosing a style, finding inspiration, solving technical design challenges, and creating two polished frame options based on a storyboard panel.

This lesson gives students guidance on how to keep building their 2.5D animation portfolio after completing their first full pipeline project. It explores different portfolio directions like marketing videos, narrative shorts, show openers, title packages, maps, infographics, logo animations, and raw skill pieces so students can choose the path that fits their goals.

This lesson introduces Adobe Audition and shows students how to record, edit, mix, and export audio for their animation projects. It covers voiceover, dialogue, music, sound effects, basic audio settings, track editing, and exporting a clean WAV file to use in the production pipeline.

This lesson introduces Blender as the main 3D software used throughout the curriculum and explains why it’s such a powerful, accessible tool for animation students. Students will learn how Blender fits into the larger 3D pipeline, why its free and open-source structure matters, and how to download and install it before moving forward.

In this lesson, students are introduced to rigging fundamentals in Blender through parenting and constraints, learning how objects can control, follow, limit, or influence one another. They’ll practice building simple parent-child relationships and experimenting with different constraints so they can start understanding the systems behind object-based animation.

This lesson gives students a guided tour of Blender’s interface, key panels, hotkeys, and workspace setup so the software feels less overwhelming from the start. It also walks through recommended keymap and tablet/mouse settings to make navigating, transforming objects, and following future lessons much easier.

In this lesson, students learn how Blender armatures and bones work as the foundation for more advanced rigging and character control. They’ll explore bone structure, display options, envelopes, FK vs. IK, bone constraints, custom controls, pole targets, Spline IK, bone collections, and color organization so they can better understand how complex rigs are built and animated.

In this lesson, students learn how to confidently move around Blender’s 3D Viewport using tools like orbit, pan, zoom, camera view, orthographic views, Quad View, the numpad, and the 3D cursor. They’ll practice navigating both simple objects and a house model so working in 3D space starts to feel more natural.

In this lesson, students learn how skinning and weight painting connect a mesh to an armature so characters and organic objects can deform naturally. They’ll practice automatic weights, vertex groups, brush tools, falloff settings, and cleanup techniques so they can better understand how rigs influence geometry during animation.

In this lesson, students learn how to select objects in Blender and transform them using move, rotate, scale, snapping, pivot points, transform orientations, and the 3D cursor. They’ll practice manipulating objects in a table scene so they can get comfortable with the core tools used to position and organize anything in 3D space.

In this lesson, students learn how Blender’s Meta-Rigs and Rigify system make character rigging faster by providing ready-made bone structures and controls for humans, animals, and other characters. They’ll explore body movement, joint types, bone placement, rest poses, rig generation, automatic weights, and common setup issues so they can understand the full process of turning a character model into an animatable rig.

In this lesson, students learn how to manipulate objects in Blender by editing vertices, edges, faces, curves, surfaces, metaballs, and text. They’ll explore key tools like Edit Mode, proportional editing, selection menus, deleting, extruding, merging, and curve controls so they can start reshaping objects with more confidence.

In this lesson, students learn how Rigify controllers work and how they make character animation much easier by organizing complex bone systems into usable controls. They’ll explore controller properties, FK/IK switching, rig layers, custom bone shapes, color sets, and the main control groups so they feel more prepared to animate a fully rigged character.

In this lesson, students learn how to use Collections in Blender to organize objects, manage visibility, control render settings, and keep complex scenes easier to work with. They’ll explore the Outliner, collection options, restriction toggles, and filtering tools so their projects stay clean and manageable as they grow.

In this lesson, students bring together the full rigging workflow by fitting a Meta-Rig to a character, generating controls, connecting separate elements like eyes, teeth, tongue, and hair, and customizing the rig for easier animation. They’ll also refine the character through weight painting and final control adjustments so the finished rig is ready for animation.

In this lesson, students get a guided tour of Blender’s different workspaces and how each layout supports a specific part of the 3D production pipeline, from modeling and sculpting to shading, animation, rendering, and compositing. They’ll learn which workspaces matter most for animation while getting a basic understanding of how the rest of Blender’s tools fit into the bigger picture.

In this lesson, students are introduced to animation timing in Blender by learning how frame rate, playback settings, and the timeline work together to create motion. They’ll explore 24fps, timeline controls, audio importing, markers, frame ranges, and playback options so they’re ready to start keyframing in the next lesson.

In this lesson, students are introduced to Blender’s core modeling tools and learn how to use features like extrude, inset, bevel, loop cut, knife, smooth, and more to shape and refine geometry. They’ll experiment with these tools on different objects and set up a TurboSquid account so they can begin working with real 3D models in future lessons.

In this lesson, students learn what keyframes are and how they are used in Blender to create animation over time. They’ll practice setting, deleting, copying, moving, labeling, and auto-keying keyframes so they can start building simple animated motion with confidence.

In this lesson, students go beyond Blender’s basic modeling toolbox and explore more advanced tools found in the Vertex, Edge, and Face menus. They’ll experiment with techniques like beveling, bridging, subdividing, filling, triangulating, booleans, smoothing, and creasing so they can better understand different ways to modify and refine 3D models.

In this lesson, students learn how the Dope Sheet gives them a deeper way to view, organize, and edit keyframes beyond the basic timeline. They’ll practice working with channels, interpolation, handle types, actions, and a bouncing ball exercise so they can better control timing and animation data in Blender.

In this lesson, students apply Blender’s modeling tools to a more complex excavator model, practicing how to construct, adjust, and deconstruct geometry using techniques like deleting, ripping, bridging, beveling, booleans, and proportional editing. They’ll also learn the difference between hard-surface and organic modeling while building a better understanding of topology and how clean geometry affects a 3D model.

In this lesson, students learn how Blender’s Nonlinear Animation Editor lets them organize, layer, blend, and reuse multiple animations as editable action strips. They’ll practice creating separate actions, pushing them into the NLA Editor, adjusting timing, mixing tracks, and baking animation so they can better manage more complex animated sequences.

In this lesson, students learn how Blender modifiers work as flexible, non-destructive tools for editing, generating, deforming, and refining objects. They’ll explore a wide range of modifiers through hands-on examples so they can better understand how to create complex effects, clean up geometry, and build more capable animation-ready scenes.

In this lesson, students learn how the Graph Editor gives them deeper control over animation by showing how values change over time through F-Curves. They’ll practice adjusting handles, interpolation, easing, curve modifiers, and dynamic effects so they can create motion that feels more natural, weighted, and polished.

In this lesson, students learn how to create useful shapes and quick geometry in Blender, including sweep curves, custom curves, vector-based objects, circular arrays, path objects, and randomized object layouts. They’ll practice building flexible scene elements and simple props so they can become more self-sufficient when creating or modifying objects for animation projects.

In this lesson, students get a broad introduction to Blender’s effects and physics tools, including rigid bodies, particles, forces, soft bodies, cloth, dynamic paint, fluids, fire, smoke, and ocean simulations. They’ll learn how procedural systems can create complex natural motion that would be difficult to keyframe by hand, giving them a better sense of what’s possible for enhancing 3D animation projects.

In this lesson, students get introduced to Blender’s Sculpt Mode and learn how different brush tools can push, pull, smooth, paint, mask, and deform geometry. They’ll experiment with sculpting brushes and Dyntopo so they can better understand how mesh can be shaped more organically, even if modeling is not their main focus as animators.

In this lesson, students learn how cameras work in Blender and how framing, focal length, depth of field, safe areas, and camera views shape the way an animation is presented. They’ll practice positioning cameras, adjusting lens settings, and exploring different angles so they can use camerawork to strengthen storytelling, scale, and visual impact.

In this lesson, students are introduced to Blender’s Shader Editor and learn how materials, nodes, viewport shading modes, image textures, world shaders, and render engines work together to define the look of 3D objects. They’ll experiment with nodes like Principled BSDF, image textures, color controls, bump, displacement, and other shader types so they can start building their own materials with more confidence.

In this lesson, students learn how to animate cameras in Blender and use shot types, camera rigs, camera switching, walk/fly navigation, and motion tracking concepts to create more dynamic scenes. They’ll practice building camera angles and cuts for an animated sequence so the final presentation feels more cinematic and intentional.

In this lesson, students learn how to control and apply image textures, normal maps, bump maps, and procedural textures inside Blender. They’ll also explore BlenderKit as a resource for finding ready-made materials, helping them create better-looking scenes faster without needing to build every shader from scratch.

In this lesson, students learn how rendering works in Blender and how Workbench, Eevee, and Cycles each create different types of final images. They’ll explore key render settings, lighting behavior, sampling, ray tracing, motion blur, culling, and third-party render engines so they can start producing cleaner, more polished renders for their animation projects.

In this lesson, students learn how UV unwrapping works in Blender and how 2D texture maps connect to 3D geometry. They’ll practice using seams, projection methods, UV editing tools, and texture coordinates so they can place, adjust, and control textures more accurately on their models.

In this lesson, students learn how to render final image sequences from Blender using passes, Multi-Layer EXR files, high-res PNGs, playblasts, and export settings for compositing in After Effects. They’ll also explore render regions, metadata, 3D data export, and render farms so they understand how Blender output fits into a professional post-production pipeline.

In this lesson, students learn how to use Blender’s Texture Paint workflow to paint directly onto 3D models and their UV maps. They’ll practice setting up paintable textures, using brushes, masks, local view, and texture-based brush settings so they can add more custom detail to organic models.

In this lesson, students explore different render styles in Blender, including Freestyle outlines, toon shaders, comic-style shaders, and low-poly looks. They’ll experiment with stylized rendering tools and artist-made shader resources so they can create more unique visual directions beyond standard realistic renders.

In this lesson, students learn how Blender’s different light types work and how each one affects the mood, visibility, and shadows in a scene. They’ll experiment with point, spot, area, and sun lights while adjusting real-time shadow settings to better understand how lighting can support storytelling and visual clarity.

In this lesson, students get a beginner-friendly comparison of Autodesk Maya and Blender so they can see how familiar 3D fundamentals carry across different software. They’ll explore Maya’s interface, navigation, modeling, shaders, rigging, animation, dynamics, rendering, and cross-platform file formats so Maya feels less intimidating if they encounter it in a studio workflow.

In this lesson, students learn how to create practical lighting setups in Blender, starting with classic three-point lighting and expanding into more dramatic scene-based approaches. They’ll practice lighting single characters, multiple characters, and full environments so they can use light and shadow to guide attention, set mood, and support storytelling.

In this lesson, students get a beginner-friendly comparison of Cinema 4D and Blender so they can see how the same 3D fundamentals carry across different software. They’ll explore Cinema 4D’s interface, navigation, modeling, materials, animation, dynamics, MoGraph, rendering, and file-sharing options so the software feels more familiar and less intimidating.

In this lesson, students are introduced to the Intro to 3D Animation module and get a clear preview of the animation principles they’ll be learning next. They’ll begin shifting from general Blender tools into core animation concepts like physics, timing, squash and stretch, anticipation, arcs, exaggeration, and appeal.

In this lesson, students learn how arcs make animation feel more natural, dynamic, and believable by reflecting the way objects move under gravity. They’ll animate cannonballs fired at different angles so they can practice creating realistic curved motion paths with proper timing and spacing.

In this lesson, students learn how an object’s physical properties, like mass, volume, density, weight, shape, hardness, elasticity, and material, affect the way it should move in animation. They’ll study different Blender examples to better understand how observing real-world behavior helps create motion that feels believable and intentional.

In this lesson, students learn how follow-through and overlapping action help create believable momentum by showing that different parts of an object or character do not all move at the same speed. They’ll animate both a hard-surface Bumba Box and a flexible flower so they can practice creating motion that feels weighted, delayed, and more natural.

In this lesson, students learn how different forces, like gravity, friction, applied force, tension, spring motion, drag, magnetism, buoyancy, and muscular force, affect the way objects move. They’ll practice animating these forces in Blender so they can create more believable motion based on real-world physics and observation.

In this lesson, students learn how squash and stretch helps animation feel more alive by showing weight, flexibility, gravity, and impact. They’ll use the Escargot rig to practice deforming a character as it moves across a log, building on the classic bouncing ball exercise in a more character-driven way.

In this lesson, students begin exploring the principles of animation in 3D by focusing on slow-in and slow-out, which creates the feeling of acceleration and deceleration. They’ll use the Bumba rig, a ramp animation, the Graph Editor, and onion skinning tools to better understand spacing and make their motion feel more natural and appealing.

In this lesson, students learn how anticipation prepares the audience for an upcoming action and helps motion feel more believable, weighted, and intentional. They’ll animate the Bumba rig descending a series of platforms while using anticipation, squash and stretch, arcs, and basic physics to create stronger animated movement.

In this lesson, students learn the difference between straight-ahead action and pose-to-pose animation, and when each method is most useful. They’ll practice using the Bumba Box rig to animate one box between key poses and another frame-by-frame so they can better understand how different techniques create different types of motion.

In this lesson, students learn how exaggeration can push animation beyond realism to make actions feel more entertaining, intense, and memorable. They’ll use the Puffer rig to animate an exaggerated blow-up and shrinking motion while experimenting with the animation principles they’ve learned so far.

In this lesson, students learn how timing affects the way an audience perceives motion, weight, force, and believability in animation. They’ll use the Bumba Box rig to animate two boxes pushing crates with different timing so one feels light and easy to move while the other feels heavier and more resistant.

In this lesson, students learn how appeal brings personality, creativity, and visual interest to animation once the core mechanics are working. They’ll animate a race between two Escargot rigs, using their own ideas to make the motion feel fun, surprising, and engaging.

In this lesson, students are introduced to the Fundamental Character Animation module, where they’ll shift from animating objects to bringing character rigs to life. They’ll learn rig controls, posing, blocking, walk cycles, run cycles, personality, and polish so they can build stronger character animation skills in Blender.

In this lesson, students learn how to build a lower body walk cycle by focusing on contact poses, transfer poses, timing, hip movement, foot placement, and clean looping mechanics. They’ll refine the walk in the Graph Editor with details like foot slap, leg swing, hip sway, and subtle offsets so the character’s movement feels more natural and believable.

In this lesson, students get reacquainted with character rigs and explore how different rigs are used throughout The Animation Society curriculum. They’ll review Blender Studio rigs, learn about the TAS character lineup, and begin working with the customizable Poly twins as their main rigs for posing, walk cycles, run cycles, and portfolio practice.

In this lesson, students build on the lower body walk cycle by animating the arms, torso, head, and full-body weight shifts to create a complete character walk. They’ll refine arcs, offsets, follow-through, looping, timing, and forward translation so the walk feels balanced, natural, and ready to use in more complex character animation.

In this lesson, students learn how strong character poses start with clear silhouettes that communicate action, balance, personality, and appeal from the camera’s point of view. They’ll create multiple poses with the Poly rigs, refine them through a silhouette view.

In this lesson, students learn how to create a run cycle by building the key poses that make running different from walking, including contact, kickoff, transfer, and up poses. They’ll refine the torso, hands, head, ponytail, looping, NLA setup, and forward translation so the run feels energetic, balanced, and believable.

In this lesson, students learn how blocking helps them plan character animation by laying out key poses, breakdowns, timing, and camera framing before refining the final motion. They’ll practice using stepped keyframes to rough out action scenes so they can experiment with ideas, solve timing issues early, and build a stronger animation foundation.

In this lesson, students learn how to add personality and polish to walk and run cycles so character movement feels more unique, expressive, and story-driven. They’ll explore reference, exaggeration, cycle reuse, animation copying, and NLA layering to turn basic locomotion into portfolio-worthy character performance.

In this lesson, students are introduced to the Advanced Body Mechanics module, where they’ll deepen their character animation skills by applying the animation principles to more complex body movement. They’ll work with new character rigs, explore reference, posing, timing, staging, secondary action, exaggeration, appeal, and dynamic camera movement, then apply those skills to a portfolio-focused body mechanics project.

In this lesson, students learn how timing can completely change the perceived scale and weight of a character’s movement. They’ll animate a Godzilla-style character moving through a city, using slower timing, keyframe adjustments, camera shake, and Graph Editor cleanup to make the character feel massive and powerful.

In this lesson, students learn why reference material is essential for creating believable and appealing character animation. They’ll explore how video references help with posing, timing, weight, arcs, secondary action, and personality, while also learning how to create their own timecoded reference footage for future animation work.

In this lesson, students learn how exaggeration can push character animation beyond realism to make emotions, reactions, and poses feel more entertaining and expressive. They’ll animate a full-body “eeek!” reaction using reference, strong key poses, timing, Graph Editor cleanup, and pushed rig poses to create a more cartoony and memorable performance.

In this lesson, students learn how arcs improve character animation by following the natural curved paths created by the body’s joints and range of motion. They’ll use the Quinn rig, reference footage, onion skinning, and the Graph Editor to animate a yoga sequence with smoother, more believable body movement.

In this lesson, students learn when to use pose-to-pose animation versus straight-ahead action for more complex character movement. They’ll animate a martial arts sequence with the Aldo rig, using blocking, speed ramps, slow motion, Graph Editor cleanup, and even faux motion blur to create a more dynamic action performance.

In this lesson, students learn how anticipation helps prepare the audience for a character’s next action by showing a build-up of energy before the movement happens. They’ll animate Bruno sitting, standing, stretching, and sitting back down while using reference, breakdown poses, and Graph Editor cleanup to make the performance feel more believable and expressive.

In this lesson, students learn how appeal helps make animation more interesting, expressive, and memorable, even when the scene itself is simple. They’ll animate a bus stop scenario using reference, creative character choices, blocking, breakdowns, and Graph Editor cleanup to turn an ordinary moment into a more engaging performance.

In this lesson, students learn how slow-in and slow-out helps character animation feel more realistic by showing acceleration, deceleration, and the buildup and release of momentum. They’ll animate a forward jump using reference, key poses, breakdowns, and Graph Editor cleanup so the character’s takeoff and landing feel believable and controlled.

In this lesson, students learn how staging guides the viewer’s attention by controlling where characters, objects, action, and cameras are placed within a scene. They’ll practice both framing scenes with camera shots and arranging characters or scenery inside existing shots so each moment is clear, readable, and visually engaging.

In this lesson, students learn how squash and stretch can make character animation feel more organic, flexible, and visually expressive. They’ll animate a sneaky burglar performance using the Manny rig, pushing poses and maintaining volume to create motion that feels dynamic, playful, and full of personality.

In this lesson, students learn how to treat the camera as part of the performance, using lens choices, framing, depth of field, shot types, and movement to strengthen their animation. They’ll revisit work from the module and rework the camera to improve staging, focus, and overall portfolio presentation.

In this lesson, students learn how follow-through and overlapping action help character movement feel heavier, more forceful, and more believable. They’ll animate a boxing performance with the Quinn rig, using reference, blocking, curve cleanup, and delayed body motion to show how different parts of the body lead, drag, and react during a punch.

In this final portfolio project, students bring together everything they’ve learned in Advanced Body Mechanics by animating a short parkour sequence through an obstacle course. They’ll use character rigs, reference, staging, camera choices, and key animation principles like arcs, anticipation, timing, squash and stretch, follow-through, and appeal to create a dynamic piece for their portfolio.

In this lesson, students learn how secondary action adds personality, detail, and emotional context to a character’s main movement. They’ll animate a heavy lift performance, focusing first on believable body mechanics and then adding supporting actions that reveal the character’s effort, attitude, and thought process.

In this lesson, students are introduced to the Character Acting module, where they’ll move beyond body mechanics and start bringing characters to life through emotion, facial animation, dialogue, lip sync, and interaction. They’ll also get set up with the advanced Mindy and Jack rigs, which will be used throughout the module to create stronger acting-focused portfolio pieces.

In this lesson, students learn how facial animation brings character performances to life by combining eyebrows, eyes, mouth shapes, eye darts, blinks, timing, and subtle expression changes. They’ll practice creating emotional facial poses with the Mindy rig, transitioning between expressions, and building their own pose presets for future acting scenes.

In this lesson, students learn how acting and subtext help characters feel like they are thinking, feeling, and communicating beyond just their physical movement. They’ll explore motivation, observation, body language, gestures, posture, personality traits, and facial expression so they can create more believable and emotionally engaging character performances.

In this lesson, students learn the fundamentals of dialogue and lip-sync by using phonemes, visemes, and mouth-shape timing to make a character appear to speak naturally. They’ll use the Mindy rig’s pose library, a short dialogue clip, and facial animation tools in Blender to create a 5–10 second lip-sync performance.

In this lesson, students learn how moving holds keep characters feeling alive during pauses, quiet moments, or poses that are held for several frames. They’ll explore simple techniques like blinking, breathing, eye darts, subtle facial movement, weight shifts, and small body details that add life without distracting from the scene.

In this lesson, students bring together body mechanics, acting, subtext, facial animation, dialogue, and lip-sync to create a complete character acting scene. They’ll use an audio clip, reference footage, blocking, facial expressions, Graph Editor cleanup, and either the Jack or Mindy rig to build a polished acting performance for their portfolio.

In this lesson, students learn how to create a dialogue-driven pantomime performance by using body language, gestures, and timing to communicate emotion without relying on mouth animation. They’ll choose or record an audio clip, film reference, import audio into Blender, and animate a performance that focuses on strong poses, expressive movement, and optional facial controls.

In this final portfolio project, students bring together everything they’ve learned in the Character Acting module by animating a two-character performance with dialogue, props, facial animation, and believable interaction. They’ll plan the scene, animate each character individually, refine timing and expressions, and create a polished acting piece that can serve as a strong portfolio showcase.

In this lesson, students are introduced to the Creature Animation module, where they’ll learn how to animate quadrupeds and winged creatures through research, reference, rig controls, walk cycles, run cycles, and flight mechanics. They’ll also download and customize the new creature rigs they’ll use to build a complex portfolio-ready creature animation.

In this lesson, students learn how to create a quadruped run cycle using the Milo rig by breaking fast four-legged motion into key poses, contact timing, midair movement, compression, and push-off. They’ll refine the loop with offsets, secondary details, Graph Editor cleanup, and forward translation so the creature feels like it is running with speed, weight, and believable momentum.

In this lesson, students learn how research and reference help bring creature animation to life by studying anatomy, behavior, instincts, intelligence, size, secondary motion, and movement patterns. They’ll begin shifting from human body mechanics to quadruped and creature performance, using observation to understand how different animals move, react, and express personality.

In this lesson, students study the fundamentals of flight so they can animate winged creatures with more believable movement, weight, and lift. They’ll explore aviation forces, wing shapes, flight cycles, wing motion, and the Chim rig before creating their own flying creature animation using blocking, timing, Graph Editor cleanup, body motion, and secondary details.

In this lesson, students get familiar with the Milo and Falkor quadruped rigs and learn how their controls differ from the humanoid rigs used earlier in the curriculum. They’ll explore posing, rig pickers, four-legged ground contact, and winged creature controls so they’re ready to begin animating quadruped movement in the next lesson.

In this final portfolio project, students bring together everything they’ve learned in Creature Animation by creating an 8–12 second creature performance using either the Milo or Falkor rig. They’ll plan a scene with strong reference, animal behavior, walk/run or flight mechanics, polishing, and rendering to create a final portfolio piece that showcases emotion, drama, appeal, and advanced creature animation skills.

In this lesson, students learn how to create a quadruped walk cycle using the Milo rig by breaking animal movement into predictable key poses, timing patterns, offsets, and details. They’ll build a looping walk, refine it in the Graph Editor, add secondary motion like head, ear, jaw, and tail movement, and optionally use the NLA Editor to combine it with other actions.

This lesson introduces the After Effects for Motion Graphics module, where students begin building the essential skills used in real client and studio work, including text animation, greenscreen keying, stabilization, tracking, and integrating graphics with video. Students will also set up a free Pexels account so they can access unique footage for assignments and start creating portfolio-ready motion graphics projects.

This lesson introduces transitions in After Effects, showing students how to move creatively from one shot or scene to another using wipes, pans, zooms, shapes, glitches, parallax, 3D moves, textures, particles, and more. Students will study a wide range of transition techniques and then create five original transition sequences using different styles.

This lesson introduces color control in After Effects, covering the difference between color correction and color grading while teaching students how to use Lumetri Color to adjust exposure, white balance, contrast, LUTs, and stylized looks. Students will experiment with provided footage to practice building a clean color-correction workflow and create more polished, professional-looking motion graphics projects.

This lesson introduces collages in motion graphics, showing students how to combine images, videos, tiles, camera movement, 3D space, scripts, and particle systems to tell richer visual stories in a short amount of time. Students will practice building and animating their own collage using custom visuals, tile systems, camera moves, and motion techniques inside After Effects.

This lesson introduces chroma keying in After Effects, showing students how to remove green or blue screen backgrounds and composite footage, graphics, and environments together using tools like Keylight. Students will practice creating clean keys in common real-world scenarios, including low-resolution footage, fine hair, motion blur, shallow focus, inconsistent backgrounds, and screen replacements.

This lesson teaches students how to bring still images to life using parallax, creating the illusion of depth by separating artwork into layers and moving closer objects faster than those farther away. Students will practice both the Null Method and Camera Method, then build their own layered parallax animation for their portfolio.

This lesson introduces tracking in After Effects, showing students how to extract motion, rotation, scale, and camera movement from live-action footage so graphics feel naturally integrated into the scene. Students will practice using Track Motion, Boris FX Mocha, Corner Pin, the Smoother panel, and Camera Tracking to attach text, screens, effects, and 3D-style elements to moving footage.

This lesson gives students a broader look at advanced After Effects effects and popular third-party tools used throughout the motion graphics industry, including simulation effects, VR tools, Magic Bullet, Trapcode, Video Copilot, Plexus, and RSMB. While there is no formal assignment, students are encouraged to explore the project file as a reference library and start identifying which tools may become useful in their own creative workflow.

This lesson introduces masking in After Effects as one of the most essential motion graphics techniques for hiding, revealing, compositing, and placing graphics or effects into live-action footage. Students will practice practical masking, rotoscoping, Auto-Trace, Roto Brush, Refine Edge, and tracking-based workflows to solve real creative challenges in post-production.

This portfolio lesson challenges students to create a 15–20 second tourism campaign ad using real footage and images, while applying the key After Effects skills from the module like color control, tracking, masking, stabilization, and transitions. Students can also push the project further by adding a collage or parallax shot, giving them a polished portfolio piece that shows they can combine multiple techniques into a professional-looking motion graphics project.

This lesson introduces stabilization in After Effects, showing students how to smooth shaky footage, remove unwanted camera movement, repair motion blur or rolling shutter issues, and prepare footage for cleaner motion graphics work. Students will practice using Stabilize Motion, Warp Stabilizer, Camera-Shake Deblur, Rolling Shutter Repair, and even add camera shake back in when it helps create more energy.

This lesson introduces 3 different After Effects kits:

The Award Ceremony Kit is a customizable After Effects template designed to help students quickly create elegant event graphics.

The Ultimate Maps Kit is a powerful template system that helps students quickly create animated maps with countries, states, cities, routes, markers and more. 

The Whiteboard Starter Kit helps students create polished whiteboard-style animations.

This lesson introduces the Intro to Cinema 4D module, where students begin learning the essential tools and workflow needed to create commercial, brand-focused motion graphics projects. Students will build on their animation foundation while learning how to navigate Cinema 4D and prepare for more polished, professional demo reel work.

This lesson introduces lighting in Cinema 4D, showing students how different light types, shadows, environmental objects, global illumination, visible light, caustics, and lighting setups can shape the mood and clarity of a scene. Students will practice lighting a smartphone, an animated fruit punch scene, and a complex junkyard environment to better understand how lighting supports both realism and stylized motion graphics.

This lesson gives students a guided tour of the Cinema 4D interface, helping them understand the viewport, menus, Object Manager, Attribute Manager, timeline, materials, tools, modes, layers, and project tabs. Students will get comfortable navigating the software layout so the upcoming modeling, animation, and motion graphics lessons feel much easier to follow.

This lesson introduces constraints in Cinema 4D, showing students how to bind objects to other objects, paths, splines, axes, and animated controls to create more efficient and believable motion. Students will practice constraint tags, Align to Path, Align to Spline, and IK-Spline setups so they can build smarter animation systems for future motion graphics projects.

This lesson walks students through the key Cinema 4D preferences and settings, including interface behavior, navigation, viewport quality, saving, auto-save, plugins, units, memory, materials, assets, and import/export options. Students will learn how to adjust the software to fit their workflow and use this lesson as a reference as they become more comfortable working in Cinema 4D.

This three-part rigging lesson introduces students to joints, IK/FK systems, constraints, binding, weight painting, and Cinema 4D’s character rig builders. Students will practice rigging hard-surface objects, organic models, characters, vehicles, and optional complex machinery so they can build smarter animation controls for future motion graphics projects.

This lesson teaches students how to navigate the Cinema 4D viewport, including moving, orbiting, zooming, using perspective and orthographic views, changing panel layouts, and configuring viewport display settings. Students will practice these navigation tools so they can move comfortably through 3D space and work more efficiently in future Cinema 4D lessons.

This three-part animation lesson teaches students how to animate in Cinema 4D using keyframes, frame rate, the timeline, Dope Sheet, F-Curve Editor, and interpolation controls to create more believable motion. Students will also explore Mixamo motion capture workflows, learning how to auto-rig characters, apply mocap animation, import it back into Cinema 4D, and add controls for faster character animation.

This lesson teaches students how to select, organize, group, hide, solo, combine, and manage objects inside Cinema 4D’s viewport and Object Manager. Students will also explore parent-child relationships and useful tags, giving them a stronger foundation for building clean, organized 3D scenes.

This lesson introduces cameras in Cinema 4D, showing students how to plan shots, use camera types and rigs, adjust focal length, depth of field, lens effects, composition guides, and create camera cuts with the Stage object. Students will practice animating cameras and building storyboard-driven shot sequences so their 3D motion graphics feel more cinematic and professionally directed.

This lesson teaches students how to transform objects in Cinema 4D by moving, rotating, scaling, duplicating, arranging, randomizing, placing, and projecting objects within a 3D scene. Students will also learn how axis controls, coordinates, freeze transformations, and dynamic placement tools help create cleaner, more flexible motion graphics workflows.

This lesson introduces Cinema 4D’s MoGraph toolset, showing students how to use cloners, effectors, fields, matrices, fractures, tracers, MoSplines, MoInstances, MoExtrude, and PolyFX to create dynamic multi-object animations and abstract motion graphics. Students will experiment with the provided project files to better understand how MoGraph can generate complex, flexible visuals quickly while still being applied to real client-focused work.

This three-part modeling lesson introduces students to the core Cinema 4D modeling workflows, including hard-surface modeling, organic sculpting, spline creation, and generator-based geometry. Students will practice building a planetary rover, sculpting terrain and character details, and using splines and generators to create more complex 3D objects for motion graphics projects.

This three-part dynamics lesson introduces students to Cinema 4D’s physics-based animation tools, including rigid bodies, soft bodies, cloth, rope, emitters, forces, Voronoi fractures, Pyro, connectors, springs, and motors. Students will experiment with simulations like bowling pins, bouncing soft bodies, cloth, particles, destruction, vehicles, and bobbleheads to understand how dynamics can create realistic motion that would be difficult to animate by hand.

This lesson introduces deformers in Cinema 4D, showing students how to non-destructively bend, twist, stretch, melt, shatter, wrap, displace, and reshape objects or splines in creative ways. Students will practice applying different deformers to understand how they can speed up modeling, enhance animation, and add more dynamic motion graphics effects to their projects.

This three-part rendering lesson introduces students to Cinema 4D’s rendering workflow, including viewport previews, the Picture Viewer, Render Queue, render settings, image sequences, multi-passes, transparency, anti-aliasing, motion blur, global illumination, Sketch & Toon, and render effects. Students will also learn practical production considerations like render times, cloud render farms, and third-party render engines so they can make smarter creative and technical decisions when finishing their motion graphics projects.

This lesson introduces materials in Cinema 4D, showing students how shaders control the color, texture, reflectivity, transparency, glow, depth, and overall visual style of 3D objects. Students will practice creating and applying materials in a fish bowl scene while learning how to use the Material Manager, Material Editor, and Asset Browser to build more polished and believable renders.

This lesson teaches students how to composite Cinema 4D renders in After Effects using multi-passes, EXR files, alpha channels, motion vector passes, Cineware, and exported 3D camera/null data. Students will also complete a final Cinema 4D portfolio project by creating a short product-focused animation that combines modeling, materials, lighting, animation, rendering, and compositing into one polished piece.

This lesson teaches students how to texture objects in Cinema 4D using projection mapping, UV unwrapping, and BodyPaint 3D. Students will practice applying images to objects, creating clean UV layouts, and painting directly onto 3D models so their scenes feel more detailed, customized, and production-ready.

This lesson introduces the Mixed-Media Motion Graphics module, where students begin combining 2D and 3D animation skills while also developing the creative and professional soft skills needed for client work. Students will explore concept-driven design, 3D-to-After Effects workflows, abstract animation, data visualization, infographics, and portfolio-focused mixed-media projects.

This lesson challenges students to create abstract tour visuals inspired by music, using 2D, 3D, or mixed-media techniques to build short, eye-catching portfolio clips. Students will study sample concert visuals and Cinema 4D project files, then experiment with tools like displacement, MoGraph, fields, forces, and simulations to create visuals driven more by feeling, rhythm, and mood than traditional storytelling.

This lesson teaches students how to build motion graphics projects from a strong concept, showing how abstract ideas, visual themes, references, and creative constraints guide the final design and animation style. Students will study real project examples to understand how professional motion graphics artists turn central ideas into clear, memorable, and client-ready visuals.

This lesson introduces data visualization as a practical and valuable motion graphics skill, showing students how charts, maps, interfaces, numbers, and abstract data can be transformed into engaging animated visuals. Students will study professional examples, then create two short data-driven animations using provided Illustrator assets in After Effects, Cinema 4D, or both.

This lesson teaches students how to move 3D data from Cinema 4D into After Effects using Cineware, camera data, nulls, baked animation, passes, masks, and pre-rendered sequences. Students will study real mixed-media workflows and practice combining 3D renders with flexible 2D elements so they can make client-friendly changes faster and create more polished composite animations.

This portfolio lesson challenges students to create a 10–15 second mixed-media product commercial using Cinema 4D and After Effects. Students will choose a product, highlight key features, animate cameras or objects, render passes, composite labels and effects, and output a polished commercial-style portfolio piece.

This lesson teaches students how to blend 2D and 3D styles by using Cinema 4D tools like Sketch & Toon, flat materials, alpha textures, layered scenes, and After Effects compositing to create a cohesive illustrated look. Students will study professional mixed-media examples, then create their own portfolio-ready piece by making a 3D object fit believably inside a 2D environment.

This lesson introduces 3 different After Effects kits:

The Neon Studio Kit is a template for creating glowing neon signs from text or images using either native 2D tools or a 3D Element 3D workflow.

The Phone Gestures Kit is used to create polished smartphone animations, app demos, text conversations, social media screens, keyboards, and cinematic phone moves.

The Storybook Scenes Kit helps students quickly turn images and text into dynamic visual stories using pre-built 2D and 3D scene structures.